Northside Theatre: "A Christmas Carol"

When James initially asked me to stage manage/A.D. for him I was pretty nervous. I have previously only been an assistant stage manager, which I honestly feel doesn't fully prepare to become a stage manager-they're completely different jobs, and I had never been an A.D. But I have a temporary back up plan that if acting doesn't work out for me I could become a stage manager. So I was certainly looking forward to gaining some experience as well as doing some networking. I never try to pass up an opportunity to network.

I did know about a quarter of the cast already, although not well. So this was a great chance to get to know people better as well as to establish myself with a new company. I think I proved myself very well as a decent stage manager. Even though I don't think being an A.S.M. really prepares you I'm pretty observant and picked up a lot of useful tips from working with Shady's S.M., Chris Tani. He's currently attending Cal Arts to get his Master's in Stage Management, hardcore!

After a couple of weeks of busting through rehearsals I started to feel very comfortable with my role as a S.M. As far as working as an A.D., well, I certainly assisted the director in lots of various ways. I did not actually direct any scenes, but I was ok with that. From my understanding an A.D. does anything to actually directing to working as a S.M. But I will certainly take the A.D. title on this one, even without directing.

Overall this was a great show to work on. We didn't have any major problems until tech week, and even then we muddled through it very well. Once we made it through tech week, the rest was just getting down the timing of everything. I honestly felt really bad for the actors, the costumes were a nightmare to work with because clothing is so heavy and had a bunch of pieces to deal with for quick changes. Eventually we got the hang of it.

At Northside things run a bit differently then I'm used to. The stage manager actually becomes a backstage manager/house manager/costume assistant/whatever else is needed. I didn't get to sit a booth and say things like, "Light cue 1, go," which I was actually looking forward to doing. Instead the light and sound tech call the cues from the booth and the stage manager becomes a "back stage manager," which seemed to me an assistant stage manager job. I hit fog ques, helped actors with costume quick changes, kept track of/helped actors with props, and occasionally helped Tiny Tim with his makeup. During intermission I set a bunch of props on stage for Act II, called times, and acted as a psuedo house manager. It was definitely an interesting experience.

And of course, what's theatre without mishaps. There were some funky lines (leading to saying "Are there no scripts? Are there no actors?"), lots of stumbling on and off stage (those dresses were easy to trip on), the night a cloak got stuck in the trap and was sitting onstage for a couple of scenes, and a couple of major bumps and bruises. But my actors were troopers and muddled through the pain.

It was definitely a long run. Shady is a long run with shows running Thursday through Sunday for about 12 weeks. For some reason running a show Wednesday through Sunday, with double shows on Saturday just felt intense then Shady. Especially during hell week and opening week where the show ran for two weeks straight with no breaks.


However closing "weekend" finally arrived. We pretty much had sold out shows the Saturday and Sunday before closing as well as closing. I have to say closing audience, which was a Christmas Eve matinee, was so receptive and fun. You could tell people just loved coming to see a Christmas show on Christmas Eve. I wish all my audiences were that much fun. The cast pitched in and got me a collection of Dicken's stories. Adrienne made actual figgy pudding to share. It tastes just like a fig newton. We got in some great cast photos, which I can hopefully share later. We did a quick and dirty strike. Luckily we aren't responsible for lights and set on this production. Strike mainly consisted of getting costumes on the rack, cleaning the makeup room, cleaning the green, cleaning the lobby, putting away all the chairs, and picking up our paychecks (yay!). Richard, the artistic director, gave us some numbers for run. It turns out this particular show was the number selling of all time with some great audience numbers.

I'm very proud of everyone on show and the work we all did to bring it together. I had so much fun and am very much looking forward to working with everyone again, hopefully as an actress. However, if I have a bad run of luck I feel comfortable knowing I could always go back to Northside as a techie.

Have a Merry Christmas, everyone!

Upcoming Auditions: Now thru January 9, 2011

Happy Early Christmas!


Notes about audition postings: This is just a quick overview of info I've received on Bay Area auditions. For detailed information please subscribe to Theatre Bay Area or bayareatheatrebums. Please do not email me for more information.

Broadway West

One Flew Over the Cuckoo's Nest

Looking for an actor/actress to play "Warren." Call call 510-683-9218 immediately. Rehearsals start late January.

Chanticleers Theatre

Lend Me a Tenor

Auds 12/27 7p.  Cold read. Email Sue Ellen Nelsen sueellen.nelsen@comcast.net for appt.

Pacifica Sprindrift Players

Speech and Debate

Auds 1/3-4 7-9p. Cold read and monologue. Call David (650) 784-5303 or email david.acevedo68@yahoo.com for appt.

San Leandro Players

Mary Rose

Auds 1/3-4 7-9p. Cold read & prep 2-min monologue (accents required for some characters). No appt. necessary.

Palo Alto Players

Altar Boyz 

Auds 1/8 11a-4p. Prep 2 upbeat pop/rock songs. Email info@paplayers.org for appt.

The New Conservatory Theatre Center 
The Pride

Auds 1/8 1:30-4p. Prep mono from play (given when appt. confirmed). Send a H/S and resumé to Jovan Olague Jovan@nctcsf.org for appt.

Ray of Light Theatre

Assassins

Auds 1/9-10 6-9p. Prep 32 bars musical theatre song. Go to roltheatre.com for appt.

Playbill Newsworthy: December 20th

Cast announced for World Premiere of The Innocents. According to Playbill the Asolo Reperatory Theatre has finished casting for this play for it's Spring 2011 premiere. This certainly looks like it will be a great piece of 21st century theatre.

Anyone else have some doubts about this musical: Spiderman Turn-Off the Dark? Topless Robot has reported many of the mishaps that have occurred during its production. I respect the idea of turning some great comic hereos to the stage, but this play really seems over the top.

OMG! Why didn't anyone tell me about this? Al Pacino in Merchant of Venice?! New goal: get my ass to New York ASAP.

A musical from the creators of South Park? Yes, please. I will be google-ing this musical, The Book of Mormon, obsessively when it premieres Feb. 24, 2011,

Callbacks for Teatro Vision: "Bless Me, Ultima"

Teatro Vision is currently working on adapting Rudolfo Anaya’s Bless Me, Ultima into a play. I loved this book in high school and am looking forward to it going up onstage, even if I’m not a part of it. Elisa Marina Alvarado will be directing. You can check up on Teatro’s updates on their Facebook page.

My callback time slot was for 7:30pm, but I arrived at 7pm to give myself time to warm-up. A bunch of actors were sitting around chatting. It was a very familiar feeling. A lot of people seem to already know each other. It reminded me of my family gatherings-all the laughing, storytelling and joking. I hadn't been sent a script because at the time it hadn't been developed yet, so we were asked to read the novel. However, when I got there some people already had scripts. I was a bit confused. I also had the impression some people had been precast.

I was also wary of the outfit I had chosen. The email that was sent to me said that we should wear comfortable clothing and bring our own water with us. To me, that reads as I’m going to either be dancing or just doing a lot of movement. So I wore some workout shorts, a rock tee that I cut the collar off of, my vans and some makeup (gotta look good, right?). However, a number of people were dressed in jeans, nice shirts, some of the ladies even had heels. Only one other lady showed up wearing a workout sort of outfit, and a couple of the guys. I was initially really worried I had picked out the wrong outfit. As I learned later though, I did not.

It was at least a half hour before I was called in to read, so in the meanwhile I talked to the other actors who were also waiting. I talked a lot with a young woman who was working for Kaiser Permanente's youth traveling program, which I am very interested in. I grilled her about the program. She had travelled all the way from Fresno, where she was currently touring and then had to return the same night. Another gentleman, also with Kaiser, had driven from Sacramento.

When my time slot came up I was not prepared for the first part of the audition. I, 3 other ladies and 2 men were called in. There were sides on a table in the room, but we hadn’t been handed any. Instead, we were assigned characters, I was given one of TENORIO’s daughters, and a scene was described to us. I was very confused as to what was expected of me. I wasn't sure if were improvising, improvising with dialogue we were supposed to make up, or I was supposed to have something memorized. And we were just told to start. I became more confused when one of the guys started speaking. I looked at the other ladies who were also assigned to be daughters for guidance. They looked as confused as I was, but we all just sort of went for it. So we all just improvised it. After performing our improv piece one, which involved quite a bit of movement, we were assigned a side.

The first side was LUCAS stumbling upon TENORIO. The side was very similar to the scene we’d just improvised so I was thinking that Elisa had just wanted to see our physicality. After doing that once were then assigned sides similar to what we'd just done. Again, I was assigned to be one of TENORIO’s daughters. We ran the scene a couple of times. With the same group were assigned another side (minus a woman who had been playing "Death")-a school scene. Myself and another lady swapped JUNE's lines on different turns. We were dismissed for a bit after running the scene a couple of times.

I had some down time and spoke with a gentleman working on WVLO's White Christmas. He has a blog you should check out. I then was called back in to work with another group did the same TENORIO daughter scene. After a couple of runs with it I was let go for the evening.

I was quite satisfied with my work. I was also glad I spent time physically and vocally warming up. I probably should’ve warmed up more since I spent at least half an hour not doing anything. Also, I was glad that I was wearing the workout clothes because I spent much of my time being physical as a daughter. Now comes the waiting game. As I said before, even if not cast I felt I did a good job, there’s always room for improvement of course, and am looking forward to the production in general.

Update on Northside's "A Christmas Carol."

So I heard back from James today. I was at work when I got the call. I checked my voice mail as soon as I had a free chance. I was not cast. Boo. James was very sweet about it. It was sorry, I can't use you this time. I love you (I love you, too, James). Bu-ut, would you be interested in stage managing/assistant directing?

I have some issues with accepting a tech position. I adamantly, do not want to be seen as a tech. I want to be an actress. And I do worry very much about being pigeon-holed as a tech. I actually been witness to this happening to my awesome fiance. He's a great actor and amazing singer. Unfortunately, he's taken so many tech positions no one knows he can act. Also, he doesn't market himself terribly, but that's another story. I know I did great work with Shady as an ASM, which is where I met James. He's seen what I can do.

My problem comes down to: take the tech position-don't suck at it, and forever get stuck as a tech. Decline the tech position-have nothing to do for theatre-wise for the months of October through December, and no money (tech pays very well, better than acting). I have played with the idea that if acting doesn't work out for me switching into stage management. So the experience would certainly be helpful.

...I spent a lot of time thinking about it and I've ultimately decided to go with the tech position. Really, I need the money. I need the experience and I could use the opportunity to do some more networking. I have hope that the actors I'll be working with will not just see me as a tech person. It's worth to note that quite a few actors, in general, also end up directing at some point. Here's to a good show experience!

Auditioning for Northside Theatre: "A Christmas Carol"

Yesterday I went in for my audition for Northside's "A Christmas Carol." It's being directed by my friend, James Lucas. I met James this past summer at Shady. He played Georgette in "Much Ado About Nothing" and Antonio in "Merchant of Venice", and was wonderful. He mentioned that he would be directing in the fall and invited everyone to come out to audition. I gladly accepted the offer.

I'll be honest, this a show I really want. It pays a small stipend, will look great on my resume, will introduce to more people in the Bay Area theatre community (networking is awesome), and the timing is perfect.

I did have a few problems trying to book an appointment. Every time I called I got the answering machine, even during the office hours. And the machine starts off with talking about the Box Office hours and buying tickets. There is no mention of setting up audition appointments. And while it does say you can leave a message for a staff member, I did not initially know which staff member set up the audition appointments. The first message I left was never returned, but I didn't leave the message for anyone in particular. I just expressed my interest in wanting to audition, asking for a date and leaving my contact info. The second time, I specifically left the message for Meredith King, who sent the audition notice through bayareatheatrebums. This time I got my appointment confirmed.

Northside Theatre wasn't at all what I expected. I expected to find something like City Lights or Broadway West, a small space squashed between downtown buildings. Instead I found myself at an elementary school/community center that also has a theatre in it. The space is fairly small, but I'm getting used to that now.

I saw a couple of people there I knew from what I call the SJSU theatre group. These are people I have met either while attending SJSU or are SJSU theatre students. I'm enjoying seeing friendly, familiar faces at auditions. It helps me relax a bit. And it's always fun to catch up with people I don't see very often.

I was told to bring 2 contrasting pieces no more than 5 minutes in length. I had previously asked my mentor if I should find period pieces since it's a Dickens play, but was told "no." Instead I did a piece from Dan Dietz's "TEMPOdyssey," my comedic choice, and a piece from George F. Walker's "Tough," my contrasting piece. "TEMPOdyssey" is the one I've been working on in class so I felt quite comfortable with it. Tough was stolen from a fellow actor of the same class.

Overall I felt this was one of my better auditions recently. I'm gaining more confidence with each audition and the theatre class is definitely helping me. Also, I put some time into these monologues already so I wasn't too worried about the delivery.

After my audition James asked if I could stay to read some sides. Unfortunately, I agreed to pick up an extra shift at my day job so I couldn't stay as long as I would've liked. I did have time to get in one side, Belle's monologue. James gave me a bit of information on the piece before I went out to practice. What stuck with me was James saying that Belle is hurting, but trying not to show her feelings. That's she's strong. So when I came back to do the piece that's how I read it-strong. Belle is breaking up with Ebeneezer, but since she was the one walking away she wouldn't show her hurt. Well, judging by James's reaction I felt like I missed the mark. I had about 10 seconds of panic and my thoughts basically went, "Oh shit, I did it wrong. Um. Um. Quick! Ask him if I can do it again." So I did. I basically said, aloud, "Um. I could try that again if you want?" Luckily, James is great and let me give it another shot with a bit more direction. I tried to be a bit more heartfelt, and show more heartache. I felt like I nailed it the second time around. Right after the reading I had to leave for work. I won't find out for a few days about the casting.

What I really appreciated about this audition was getting a second chance. I'm so new and cold readings are still one of my worst areas. I really wish more directors would say, "Could you try it this way?" during an audition. I do get that there's time to consider and really if you deserved the part you'd have probably nailed it the first time, but for noobs like me these small second chances are so important in my learning curve. I just wish it would happen more often.

Currently Playing

There is a lot of great theatre here in the Bay Area. Please support your community and catch a show.

Center REPertory Company
She Loves Me
9/2-10/10 (closes tonight!)

Pacific Repertory Theatre
The Country Wife
9/2-10/17

Marin Theatre Company
In the Red and Brown Water 
9/9-10/10 (closes tonight!)

Ray of Light Theatre
Jerry Springer the Opera
9/10-10/16 (closes this week!)

Tri-Valley Repertory Theatre
My Way: A Musical Tribute to Frank Sinatra
9/17-10/10 (closes tonight!)

Altarena Playhouse
I Love You, You're Perfect, Now Change
9/17-10/23

Berkeley Repertory Theatre
Compulsion
9/13-10/31

Broadway West
Dial M for Murder
9/17-10/16 (closes this week!)

Sierra Repertory Theatre
Red, White and Tuna
9/17-10/17

Ross Valley Players
November
9/17-10/17

American Conservatory Theatre
Scapin
9/17-10/23

New Conservatory Theatre Center
Anita Bryan Died for Your Sins
9/17-10/24

Subterranean Shakespeare
The Ben Johnson Series
9/20-10/18

California Shakespeare Theatre
Much Ado About Nothing
9/22-10/17

Sonoma County Repertory Theatre
Fat Pig
9/22-10/24

Solano College Theatre
Rent
9/23-10/10 (closes tonight!)

Pear Avenue Theatre
Angels in America & Our Town
9/24-10/17

City Lights
First Day of School
9/23-10/24

Custom Made Theatre Co.
The Last Days of Judas Iscariot
9/24-10/30

The Marsh
Loveland
9/24-11/13

Not Quite Opera Productions
Absolutely San Francisco
9/24-12/18

Brava! for Women in the Arts
Iph...
9/25-10/16 (closes this week!)

South Bay Musical Theatre
The Music Man
9/25-10/16 (closes this week!)

SF Playhouse
The Sunset Limited
9/28-11/6

San Jose Stage Company
reasons to be pretty
9/29-10/24

College of Marin Theatre Arts
Ma Rainey's Black Bottom
9/30-10/17

AlterTheatre Ensemble
Intimate Apparel
9/30-10/24

Stage Werx Theatre
Zombie Town
9/30-10/31

Town Hall Theatre Company
Dr. Jekyll & Mr. Hyde
9/30-10/31

Santa Rosa Junior College Theatre Arts Dept.
Anon(ymous)
10/1-10/10 (closes tonight!)

Stage 1 Theatre
Cinderella
10/1-10/16 (closes this week!)

Pacific Repertory Theatre
Twelfth Night
10/1-10/17

6th Street Playhouse
Who's Afraid of Virginia Woolf?
10/1-10/24

We Players
Hamlet
10/2-11/21

New Conservatory Theatre
And Then They Came for Me
10/3-10/10 (closes tonight!)

42nd Street Moon
A Funny Thing Happened on the Way to the Forum
10/3-10/24

Willows Theatre Company
Sleuth
10/4-11/7

TheatreWorks
Superior Donuts
10/6-10/31

Shotgun Players
Mary Stuart
10/06-11/07

Northside Theatre Company
Scrambled Eggs
10/7-10/31

Exit Theatre
Obscura-a magic show
10/7-12/18

CatchyName Theatre Company
Mad Tom
10/8-10/31

RasaNova Theatre
Dancing on Glass
10/8-10/10 (closes tonight!)

San Jose State University
The Seagull
10/8-10/16 (closes this week!)

Mira Theatre Guild
The Diary of Anne Frank
10/8-10/17

6th Street Playhouse
Becoming Walt Whitman
10/8-10/24

The Jewish Theatre
Wrestling Jerusalem
10/9-10/10 (closes tonight!)

Lyric Theatre
Babes in Toyland & Cox and Box
10/9-10/17